Samstag, 26. April 2014

> Fee Download 108 Ways to Create Holistic Spaces: Feng Shui and Green Design for Healing and Organic Homes, by Anjie Cho

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108 Ways to Create Holistic Spaces: Feng Shui and Green Design for Healing and Organic Homes, by Anjie Cho

Feng Shui can change your life -- but learning how to use it can feel overwhelming. Architect and feng shui practitioner Anjie Cho clears the clutter and shows you how to apply feng shui and green design principles to support and enhance your life. From the bedroom to the home office, and from furniture placement to the use of color, these simple, straightforward tips will transform your home and workplace to improve the flow of energy through your life.
108 Ways to Create Holistic Spaces: Feng Shui and Green Design for Healing and Organic Homes is written for the way we live and work today. You will learn how to: 

  • position yourself in command of your life
  • clear and refresh your space
  • use the feng shui bagua map
  • choose colors for maximum impact
  • incorporate the five elements
  • make every room in your home and workplace serve its highest purpose
  • create eco-friendly spaces; dedicate your spaces to match your intentions
  • bring calm, inspiration, love and abundance to your life and the world

  • Sales Rank: #277067 in Books
  • Published on: 2015-01-18
  • Original language: English
  • Dimensions: 9.00" h x .40" w x 6.00" l,
  • Binding: Paperback
  • 168 pages

Review
"Let Anjie take you by the hand and lead you on a path of learning and self-improvement. If you follow Anjie's suggestions, you will create spaces in your home and workplace that support your dreams and advance your life."Steven Post, The Modern Book of Feng Shui

"The strength and beauty of Anjie's metal element shines on every page -- structured, precise, and true to the teachings of His Holiness Grandmaster Professor Lin Yun. 108 Ways is a lovely and thought-provoking invitation to further your exploration of feng shui and conscious design."Katherine Metz, feng shui practitioner

About the Author

Anjie Cho is a registered architect and feng shui interior designer. Since 1999, she has been creating beautiful and nourishing environments. A graduate in Architecture from the College of Environmental Design at the University of California at Berkeley, Anjie is a sought-after expert in the fields of feng shui and green design. Anjie is also the founder of Holistic Spaces, a blog and online store that integrates beauty, spirituality, and green design. Anjie is a LEED Accredited Professional and certified feng shui consultant from the BTB Feng Shui Masters Training Program. She lives in the Lower East Side of New York City with her husband and her Chihuahua, Javier.

Most helpful customer reviews

3 of 3 people found the following review helpful.
well organized and easy to apply to your life
By Emma G Fan
This is exactly the feng shui book I've been looking for. It's clear, well organized and easy to apply to your life. I've tried reading other feng shui books and felt overwhelmed by all the information and how (ironically) confusingly organized they were -- but 108 Ways makes it easy to learn some key feng shui principles and get started right away making feng shui adjustments in your own space. I love this book.

3 of 3 people found the following review helpful.
Very Useful
By Keith Bebick
This book is a great source for organizing my home and getting that natural flow and feeling according to feng shui principles - I need all the help I can get and I am off to a great start by reading this, very easy to follow...

2 of 2 people found the following review helpful.
Be Empowered with the Wisdom shared with you in this book...
By Ann Guberti
This book will empower anyone wanting to learn how to incorporate feng shui at home to transform each room and improve the flow of energy. I've always been interested in feng shui but did not understand how to use it to benefit my living space and working environment. I viewed it as a monumental task until I started reading and truly understanding the concepts explained so eloquently in the 108 Ways to Create Holistic Space. The book in itself is a graceful piece of artful mastery of wisdom passed down to the reader from the expert and author. From the Feng Shui Map to the Colors, Five Elements, Basic Principles, Space Clearing ( a biggie for me!), to each Room, Meditation space,Closets, Doors. Windows, Plants and The Holistic Home was a special 'bonus' for anyone wanting to improve the 'health' of their home as well. Powerful wisdom in this book for you to learn from and implement in your home. Highly recommend!

See all 7 customer reviews...

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Dienstag, 22. April 2014

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Poetry. Art. Sixteen fold-out color plates / posters with poems printed on versos, perfect bound, 9" x 10". Sixteen painters were asked to write a poem to publish along with the image of one of their paintings. "It is fascinating the ways in which, covertly and explicitly, they resist being pinned to the wall with words, and how mischievous and curious their various approached to writing are."—Claudia La Rocco

  • Sales Rank: #2527161 in Books
  • Published on: 2015-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 8.75" w x .50" l, 1.35 pounds
  • Binding: Paperback
  • 68 pages

About the Author
Claudia La Rocco is a writer, performer, and teacher whose work frequently revolves around interdisciplinary projects. She founded ThePerformanceClub.org, which won a 2011 Creative Capitol/Warhol Foundation Arts Writers Grant, and focuses on criticism as a literary art form.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Great book for those with interests in new abstraction
By Lucas Kelly
Great book for those with interests in new abstraction. I am not a poetry connoisseur, but I found the text intriguing especially in juxtaposition to the images. As a fine arts professor I found this book useful in the classroom. The large fold out images of the paintings are great quality. I found the "centerfold" style of the images a bit hilarious, I can only imagine that to be a tongue in cheek reference.
Definitely worth the purchase, will be a great addition to any art library.

See all 1 customer reviews...

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Montag, 21. April 2014

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Middletown (Images of America), by Charles Harbaugh IV, Jeff Pennington

Middletown was established in 1797 by Peter Senseney as a tollhouse and tavern location along the Great Wagon Road. The town became notable primarily for the climactic Battle of Cedar Creek on October 19, 1864. Middletown is home to several important institutions, including the Wayside Inn, the oldest continuously operating inn in America, and the great Wayside Theater, which operated for 52 seasons and hosted prominent actresses like Susan Sarandon and Kathy Bates. Through vintage photographs ranging from the establishment of Virginias first agricultural high school to the inception of Lord Fairfax Community College, which developed from humble beginnings into one of the fastest-growing colleges in the state, Middletown is a visual celebration of a community that has blossomed into a picturesque town.

  • Sales Rank: #2347353 in Books
  • Published on: 2015-01-19
  • Released on: 2015-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .31" w x 6.50" l, .0 pounds
  • Binding: Paperback
  • 128 pages

About the Author
Charles Harbaugh IV is the mayor of Middletown and a Cedar Creek Battlefield Foundation board member. He has a masters degree in business administration from Shenandoah University. Jeff Pennington has had a lifelong interest in local history and the Civil War. He has a bachelor of arts in history from James Madison University and has penned articles for local publications. Both authors have been participating in Civil War and other historical reenactments for many years.

Most helpful customer reviews

0 of 0 people found the following review helpful.
It was fun to watch and listen to her tell stories of ...
By Amazon Customer
My mother grew up in this small but unique town. It was fun to watch and listen to her tell stories of the past thru the pictures and she is even in one. The book was done very nicely.

0 of 0 people found the following review helpful.
Five Stars
By Kelsey Smith
A great coffee table book with some wonderful images of Middletown.

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Freitag, 18. April 2014

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Do You Know How to Make Extra Money Online as a Musician? Leveraging New Technology and Online Platforms to Reach Your True Fans, Make Money Online, and Earn More as a Musician
Years ago, I attended a workshop given by the German avant-garde vibraphonist and composer Karl Berger where he said he followed this simple model of musician survival: with almost 7 billion people in the world, he would be happy to find ways to get 5,000 people to give him $10 each year!

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Believe it or not, but web is actually still in its early years (relatively), so the possibilities for creative musicians to make money online are pretty vast and still actually growing.

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The web offers us an incredible opportunity now: to live anywhere, but still pursue your musical dreams. Use the web to its fullest by selling and licensing your music and other products, find affiliate marketing possibilities, all while developing active and passive income membership sites, e-commerce strategies, teaching platforms, instructional materials, indie publishing portfolios, and more.

How should I sell my music? Where can I distribute my recordings? How else can I make money as a musician? How can I find my true fans? Should I teach online? Should I write books? What platforms and websites in web 3.0 should a musician know about?
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• What ways you can expand and develop your online presence that can both simplify and also maximize your offline activities as a musician and creative person?
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  • Sales Rank: #1278033 in eBooks
  • Published on: 2015-01-20
  • Released on: 2015-01-20
  • Format: Kindle eBook

Most helpful customer reviews

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Janson's History of Art: The Western Tradition Reissued Edition (8th Edition), by Penelope J.E. Davies, Frima Fox Hofrichter, Joseph F. Ja

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Janson’s History of Art: The Western Tradition, Reissued Eighth Edition presents the same content as the text’s Eighth Edition, published in 2010, now reimagined for digital learning via REVEL, and also available through the Pearson Custom Library. While remaining current with new discoveries and scholarship, the Reissued Eighth Edition maintains its focus on the object, its manufacture, and its visual character, and continues to consider the contribution of the artist as a key element of analysis. Throughout, the authors engage students by weaving a compelling narrative of how art has changed over time in the cultures that Europe has claimed as its heritage.

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For enrollments of at least 25, the Pearson Custom Library allows you to create your own textbook by combining chapters from best-selling Pearson textbooks and by adding your own content, such as a guide to a local art museum, a map of monuments in your area, your syllabus, or a study guide you've created.  Priced according to the number of chapters, a custom text may even save your students money.

  • Sales Rank: #32591 in Books
  • Published on: 2015-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 2.40" w x 9.00" l, 8.85 pounds
  • Binding: Hardcover
  • 1184 pages

From the Back Cover

Rewrittenand reorganized, this new edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative online supplements, including digital art library.Experience the new Janson and re-experience the history of art.

 

Long established as the classic and seminal introduction to art of the Western world, the Eighth Edition ofJanson's History of Artis groundbreaking. When Harry Abrams first published theHistory of Artin 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist.  Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view.The History of Art, said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson's text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson'sHistory of Arthelped to establish the canon of art history for many generations of scholars.

 

About the Author
Penelope J. E. Davies is Associate Professor at the University of Texas, Austin. She is a scholar of Greek and Roman art and architecture as well as a field archaeologist. She is author of Death and the Emperor: Roman Imperial Funerary Monuments from Augustus to Marcus Aurelius, winner of the Vasari Award.

Walter B. Denny is a Professor of Art History at the University of Massachusetts at Amherst. In addition to exhibition catalogues, his publications include books on Ottoman Turkish carpets, textiles, and ceramics, and articles on miniature painting, architecture and architectural decoration.

Frima Fox Hofrichter is Professor and former Chair of the History of Art and Design department at Pratt Institute. She is author of Judith Leyster, A Dutch Artist in Holland’s Golden Age, which received CAA’s Millard Meiss Publication Fund Award.

Joseph Jacobs is an independent scholar, critic, and art historian of modern art in New York City. He was the curator of modern art at the John and Mable Ringling Museum of Art in Sarasota, Florida, director of the Oklahoma City Art Museum, and curator of American art at The Newark Museum, Newark, New Jersey.

David L. Simon is Jetté Professor of Art at Colby College, where he received the Basset Teaching Award in 2005. Among his publications is the catalogue of Spanish and southern French Romanesque sculpture in the Metropolitan Museum of Art and The Cloisters.

Ann M. Roberts, Professor of Art at Lake Forest College has published essays, articles and reviews on both Northern and Italian Renaissance topics. Her research focuses on women in the Renaissance, and her most recent publication is entitled Dominican Women and Renaissance Art: The Convent of San Domenico of Pisa.

H. W. Janson was a legendary name in art history. During his long career as a teacher and scholar, he helped define the discipline through his impressive books and other publications.

Anthony F. Janson forged a distinguished career as a professor, scholar, museum professional, and writer.  From the time of his father’s death in 1982 until 2004, he authored History of Art.

Most helpful customer reviews

12 of 13 people found the following review helpful.
The information is ageless
By Michelle Goodnight
Having used this book in my 2002 Art history class, I can say without reservation that is is probably the best Art History book I have studied. A close second would be the History of Modern Art by Arnason. Countless times I have referred to this book for references to art for my blog and personal works of art. If this isn't you schools text book, it should be.

21 of 25 people found the following review helpful.
Simply the Best
By al1d8gun
I've used an earlier edition when I was in high school and finally got around to purchasing this edition for myself. The editors have always done an excellent job with each addition. The book is rich in information and most up-to-date with the latest information. Each page has graphic elements, from several pictures or multiple diagrams. Though thick and heavy, it's great for the coffee table.

8 of 8 people found the following review helpful.
Great coverage and analysis
By luv2read
I used the original Janson when I took art history in college. I bought this for my son and started reading it on my own. What a wonderful rework of this classic. It provides very accessible descriptions of historical context as well as clear presentations of the impact of "technology" (i.e. development of various media) on the ability of the artists of various periods to express themselves. Love this book.

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Donnerstag, 17. April 2014

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The Long March of Pop: Art, Music, and Design, 1930-1995, by Thomas Crow

An original and insightful new history of Pop Art from one of the most important art historians of our time

Thomas Crow’s paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor’s insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow’s starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and ’40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop’s practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book. 

  • Sales Rank: #319746 in Books
  • Published on: 2015-01-06
  • Format: Lay Flat
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.40" h x 1.40" w x 8.00" l, .0 pounds
  • Binding: Hardcover
  • 412 pages

Review
The long-awaited, "paradigm-changing," expansive narrative on Pop Art by the esteemed NYU professor of modern art.
--Artsy
(Artsy.net 2015-01-01)

Thomas Crow's ambitious The Long March of Pop, Art, Music, and Design, 1930-1995 will probably be considered definitive for a long time to come.
--Peter Plagens, Art in America 2015-09-01

For Crow, Pop art needs to be understood in its deeper social history in order for it to make sense. "Fine art is not enhanced if you isolate it," he says. "It becomes diminished if you aren't looking at cross-fertilisations and feedback loops." Pop art, perhaps more than any other art movement, invites those parallels, and illustrates their continued relevance.
--The Art Newspaper
(The Art Newspaper 2015-01-01)

With the best kind of storytelling force ... Thomas Crow's magisterial new study ... means delving full force into the subcultures--from advertising to surfing to rock music--that established its contexts, produced the material it emulated, and, beginning the cycle anew, fed off and regenerated its forms. The depth and range of historical knowledge Crow brings to such stories is nothing short of stunning. --Bookforum (Graham Bader, Bookforum, 2015 April/May)

With this ambitious and fascinating new book ... Crow has really set a new bar here for art history and criticism.
--Jeff Carter, PopMatters
(PopMatters, 2015-05-07)

‘Thomas Crow’s study of American Pop Art opens with the intriguing premise that the movement emerged out of the American folk revivial of the 1930’s and 40’s, primarily felt in music but later percolating into art in the Robert Rauschenberg and Jasper Johns.’
—Apollo Magazine.
(Apollo Magazine 2015-01-01)

‘…you won’t see Pop the same way after The Long March of Pop. As seen here it’s murkier, richer, more ragged, and evidently the art that a nation congenitally suspicious of the highfalutin was destined to create.’—Martin Herbert, Art Review.
(Martin Herbert Art Review 2015-04-01)

About the Author
Thomas Crow is the Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University. 

Most helpful customer reviews

0 of 0 people found the following review helpful.
POP ! -TAKE A NEW LOOK
By LLOYD BREGMAN
Thomas Crow has written & illustrated a dense scholarly text that is certain to set the critical standard on Pop Art for this generation. A long & demanding read, Crow investigates the formal sources of the American visual arts movement seeing it as the child of a host of popular artforms. While his particular interest is focused on folk & then popular music, it is clear that he is sensitive to photography & film, literature & journalism, politics & mass movements having all of these having taken part in Pop art's formation.

First, i should acknowledge my biases as a reader: Having read Crow's brilliant "Painters & Painting in Eighteenth-Century France" i subsequently consumed every major book he has written with great appreciation & respect. His books on the late twentieth century, i.e. modern & contemporary art, are one of the rare examples of critical insight & lucidity -in a field littered by excruciating to read pretentious nonsense. However, my [childhood] contempt & even loathing for Pop Art -with the exception of perhaps Jasper Johns- has never really been overcome. Thus, Crow's new monograph on the Pop Movement was welcome & yet met with skeptical resistance.

The Long March of Pop is far too dense & critically subtle to summarize in this pop-up book review.
A few points might be more useful "for the chosen [very] few" who will struggle to read through it. [See, below, my crushing P.S.]

The first two Chapters 1] Folk & 2] Smith & Johns are remarkable in their scholarly enthusiasm & intensity. This book presents for me a new set of American Cultural Heroes: John Kane, Harry Smith, Richard Brown Baker, & Alla Nazimova gaining my particular sympathy. Other readers will discover a wealth of powerfully articulate personalities that are certain to appeal to the most discriminating of private viewpoints. What more can a scholar offer ?

In Chapter 3 Crow presents a most convincing assessment of the underlying meaning & motives in Robert Rauschenberg's 1950's Combines.
In the next chapter assessing Lichtenstein's 1960's 'comic strip' canvases, Crow argues they carry weight & conviction. For myself, however, despite admiration for the collector Richard Brown Baker's profound contemporary aesthetic insights into the power of the forms, i simply cannot overcome the visual crudeness of the advertising imagery.
Ditto -sadly- for Crow's chapters championing Robert Indiana & James Rosenquist.

For veterans of the late-modernist Art Wars it will come as no surprise that the real test for Pop is the artwork of Andy Warhol.
In this sense "Andy" is the Manet-figure of our aesthetic generation; -it seems impossible not to take a partisan view.
[For fifty years or more Andy's ubiquitous images & the surrounding commercial ethos have elicited in me contempt & disdain, --sometimes amounting to disgust. In middle age perhaps 'resignation' now best describes my view. It was a great relief to find that after the 1960's most critical opinion supported my position for a time.] To be fair, Crow's advocacy of Warhol's aesthetic is both articulate & weighty. He particularily champions the work in the early Sixties, & makes an argument that after the attempted murder in 1968 Warhol never recovered physically or psychologically.

Crow's art historical assessment of what Warhol's iconic Women images meant to a larger 'emergent media' society is remarkably shrewd & convincing. One of the highlights of this subtle book occurs when Crow eschews his formal academic restraint & interweaves his commentary as a riff on a series of canonical Warhol images. Crow has directed the book's designers to highlight this section with grey borders to emphasize this stylistic breach of etiquette. For those who do not wish to fight through the text this might present an enticing entree.

Other high points in an increasingly expanding field & text:
-Ed Ruscha's phototext of The Sunset Strip, 1966, which in it's intensely compelling 'banality' Crow perceives a remarkable & remarkably
convincing achievement.
-In the chapter "The Hunter Gets Captured by the Game" Crow charts the European embrace of Leftist politics in the face of Che Guevara as a political symbol of protest for social change. Here Crow uses art historical methodologies to focus on the process of modern media's manipulative grasp. Simply fascinating.
--The aesthetic analysis, formal, social, & cultural of the Beatles album cover for "Sgt. Pepper's Lonely Hearts Club Band, 1967" is
beyond my powers of reductive description. Refusing to succumb to a naive enthusiasm for what is after all the most commercial of advertising images, Crow's assessment of the strange alchemy of creative forces at work is utterly compelling.

Perhaps the most difficult & certainly the most controversial of decisions was Crow's choosing to write an Epilogue for the Pop movement encompassing the years 1930 to 1995. Briefly, after Pop "came to be consigned to history" he sees it's revival in the 1990's work of Jeff Koons & Damien Hirst. After analysing the socio-economic-cultural role of the artist morphing into the perversion of Prophet-Impressario-Plutocrat-Phenom -which surely descends from the locust character of Warhol - Crow isolates these two Artworld Supermen of contemporary practice. It is beyond my competence to fairly assess even the weight of Crow's argument. Prolonged participation on the battlefield of aesthetic discernment at some age leaves one unfit for further service. Thereafter, in discussion of contemporary art, one's opinion becomes merely a distilation of personal taste; albeit with some views carrying far greater weight than others. However, Crow's past services to to the humane arts convinces me that his is a reasoned & just assessment of the still contending aesthetic debate. An outstanding historical scholar, Crow has presented us with the gift of his personal perceptions & insights of this still living & controversial aesthetic commitment; - for which we should give thanks.

In my view Crow's book is best seen as a thinking & questioning aesthetic dialogue full of critical delights. This is a book dedicated to an art of provocation not solace. In that spirit i cite my favourite: "If someone likes that stuff" -referring to Pop art; then that person can only be- " in the grip of the wrong experience." Michael Fried, 1966. [at page 2].

P.S. - Crow's text is difficult enough to grasp without the PALE GREY TYPEFACE of the text.
Elegant in design, but utterly exhausting to the demands of a close reading.
NOTE TO YALE U. P. -THIS DESIGN CHOICE IS INSULTING TO BOTH THE WRITER & READER ALIKE.

0 of 0 people found the following review helpful.
Four Stars
By Gregory Chilenski
A very interesting take on it all that I had never considered.

1 of 3 people found the following review helpful.
Hefty Book, Thought-Provoking History of Pop
By artfulusedbooks
The chapters are
1. Before Pop There Was Folk [Woody Guthrie, Leadbelly, Alan Lomax, John Kane];
2. Alias Smith & Johns / An American Cosmos;
3. Rauschenberg's Combines / Subjective Art for an Objective Age;
4. Space Is the Place / Other Worlds in the Pop Universe;
5. Lichtenstein Becomes Lichtenstein;
6. Robert Indiana's Signs & Symbols;
7. Ad Men / Andy Warhol & James Rosenquist Cross the Great Divide;
8. The Nearest Faraway Place / Billy Al Bengston & Pop Life in LA;
9. Eyes on California / Oldenburg, Warhol, Hockney, & Ruscha Take the Trip;
10. Showdown on East Forty-Seventh / Bob Dylan & Andy Warhol; and
11. The Hunter Gets Captured by the Game / Graphics, Film, Music.

The 324 illus. appear as they are discussed in the text, sometimes with 2 or 3 images on a page. Most illus. are in color.

A note to speed-readers: I found it necessary to read slowly in order not to miss the finer points.

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Graphics Standard Manual: New York City Transit AuthorityFrom Standards Manual LLC

The Standards Manual Compact Edition is a 10" x 10" reissue of the New York City Transit Authority 1970 Graphics Standards manual designed by Massimo Vignelli and Bob Noorda.

The Manual details the theory, typography, color, and other graphic elements to instruct, in great detail, the design of the NYC Subway system signage in 1970.

Massimo Vignelli's personal copy of the original manual was the source material for each of the high-resolution page scans.

Printed with 13 colors in Italy, each of the 176 color plates uses a stochastic screen to ensure the highest level of detail and richness of black possible.

-

"Massimo Vignelli used to speak of entropy, that inescapable scientific principle that dictates that systems fall apart, that extremes revert to the mean, that every rare instance of excellence is doomed to succumb to the average. I think he would have guessed that the same would happen to his subway signs: more compromises would be made, more mistakes would be enshrined as law, and the whole system would eventually slump back into a new version of the chaos which it had replaced. Yet something amazing happened. The system endured. It endured, I think, for one reason: this book. The New York subway, despite its daunting complexity, is a finite system. That means that the standards manual that Vignelli, his partner Bob Noorda and their colleagues at Unimark created to control the appearance of its signs are that Holy Grail of design solutions, a Theory of Everything. There have been modifications-Vignelli was pleased that he got his way with Helvetica at last-but the essentials of the system look more or less as they were imagined more than 45 years ago. This manual, with all its exhaustive detail and maniacal comprehensiveness, is the reason."

-Michael Bierut Pentagram, New York City.

- Officially licensed by the MTA.

  • Sales Rank: #414779 in Books
  • Published on: 2015
  • Binding: Hardcover
  • 352 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Amazing design book!
By T.M.
Beautifully displaying the original graphics of the NYC Transit Graphic Standards Manual, this reissue immortalizes one of the most prominent and far reaching design projects to date. I was so happy that the book did this important project justice, displaying it in a high quality and timeless fashion. The Italian cloth wrapped cover is lovely, and the pages are elegantly displayed and true to the original.

I especially enjoyed the pages with graphics of people standing under the subway signs for size comparison. The whole page exhibited a sixties familiarity that was so charming, which was also achieved throughout the rest of the book. Anyone interested in design and the history of New York City would definitely benefit from this reissue, and I would highly recommend it to anyone looking to learn more on these topics as well! 5 stars for a beautifully presented, high quality book that will live long as an ode to the rich, dynamic history of New York.

0 of 0 people found the following review helpful.
This version is ok if you can't afford the bigger version with more content.
By James Almeida
This one is ok. It's smaller than the original print at 10x10. The first limited print version was 14"x14". This version is definitely more affordable though.

The limited edition print version is available here: Graphics Standard Manual New York City Transit Authority (MTA 2014 Limited Edition Facsimile Reprint)

0 of 0 people found the following review helpful.
for the geek among us . . . .
By Stev
if you are the kind of person who would be willing to spend this kind of money on this kind of book, you will love it, it is everything you would expect.

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Montag, 14. April 2014

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  • Sales Rank: #2003422 in Books
  • Brand: Search Press Ltd
  • Published on: 2015-01-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.50" w x .50" l, .0 pounds
  • Binding: Paperback
  • 80 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
I have thoroughly enjoyed the many hours spent coloring my way through this ...
By Library Nerd
I have thoroughly enjoyed the many hours spent coloring my way through this book. The designs are beautiful and easy to color. I love the fact that the paper is thick and the illustrations are posted on every other page so markers don't bleed through.

0 of 1 people found the following review helpful.
Five Stars
By Xenia
Fast shipping and nice product.

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(Piano/Vocal/Guitar Songbook). A comprehensive collection of 47 country favorites, including: Ain't Nothing 'Bout You * Bring on the Rain * Cruise * Don't Take the Girl * Don't You Wanna Stay * Every Time I Hear Your Name * Fly over States * Gunpowder & Lead * How Do You like Me Now?! * I Knew You Were Trouble. * If I Die Young * Mud on the Tires * Need You Now * Red Solo Cup * Stuck like Glue * The Thunder Rolls * Wide Open Spaces * Your Man * and more. 322 pages!

  • Sales Rank: #2901351 in Books
  • Published on: 2015-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .73" w x 9.00" l, .0 pounds
  • Binding: Paperback
  • 322 pages

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

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0 of 0 people found the following review helpful.
Four Stars
By Don Brown
A good selection of songs.

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Donnerstag, 10. April 2014

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In a study driven by stunning images of Japanese advertisements and the artworks they quote from, Ory Bartal offers a first-of-its-kind interpretation of the “postmodern” genre of advertising in Japan, which both shaped and reflected the new consumer-driven culture that arose during the bubble era of the 1980s and 1990s. Through a fascinating tale of art directors and their works and influences, Bartal shows how this postmodern visual language, like postmodernism in other streams, is distinguished by its mélange of styles, blurring of boundaries between art and design, and reliance on visual and textual quotations from sources past and present, domestic and foreign. Although this advertising culture partakes of global trends, Bartal draws attention to the varied local artistic sensibilities, structures of thought, and underlying practices, challenging the often-simplistic characterization of “Japaneseness” as being rooted in a Zen tradition of aesthetic indirectness and ambiguity.

Combining multilingual scholarship with a wealth of information gleaned through years of personal interviews with the principals involved, this is a truly original contribution to the discussion of Japanese art and advertising as well as an insightful reading of more general issues in the study of visual culture and media.

  • Sales Rank: #684328 in Books
  • Published on: 2015-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x .60" w x 6.40" l, .0 pounds
  • Binding: Paperback
  • 280 pages

Review
“Bartal has chosen a fascinating topic that is still woefully understudied in anglophone scholarship despite its tremendous importance and relevance for contemporary cultural studies. Postmodern Advertising in Japan greatly illuminates the particular cultural moment spawned by Japan's bubble econony in the 1980s and early 90s and the Tokyo Art Directors Club's vital contribution to postwar Japanese visual culture, advertising, and world design history.”—Gennifer Weisenfeld, professor of art and art history, Duke University

“Based on a rare and intimate acquaintance not only with its specific topic but also with Japanese culture as a whole . . .[this book] provides a unique contribution to several domains and an additional perspective on Japanese culture and it's global impact.”—Rotem Kowner, professor of modern Japanese history and culture, University of Haifa

About the Author
ORY BARTAL is the department chair of the Department of History and Theory at the Bezalel Academy of Arts and Design in Jerusalem.

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0 of 2 people found the following review helpful.
Five Stars
By Laura Fisher
Perfect.

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