Ivan Jensen: Juli 2015

Freitag, 31. Juli 2015

>> Download PDF Practice Hacks for Piano: Shortcuts for the Busy Pianist, by Catherine Shefski

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Practice Hacks is a collection of tips passed down from teacher to student since the late 1800s. From finding the proper hand position, playing octave passages, and creating a full range of dynamics, to interpreting and memorizing music -- this little book has a nugget of advice on every page. Written in short and concise sections, intermediate and advanced piano students and their teachers will find helpful and practical advice for getting the most from every practice session.

Learn how to get the most from your piano practice time by implementing practical technique from the masters. This e-book includes tips on the following topics: Hand Position, Stretching, Scales, Chords, Octaves, Playing Fast, Dynamics, Fingers, Staccato and Legato, Memorizing Music, and Performance.

Open to any page and find advice that you can implement the next time you sit down at the piano.

Sales Rank: #368543 in eBooks
Published on: 2015-01-03
Released on: 2015-01-03
Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
But better late than never right
By Jade Simmons
As a busy concert pianist, wife, and mom of two, I REALLY wish I had this book a long time ago! But better late than never right?! Catherine Shefski writes from the vantage point of someone who knows the instrument inside and out and understands the desire to play not just flawlessly, but with ease. This book is perfect for professionals wanting to master the art of "cramming when necessary", students looking to make the most of their practice time and even those new to getting around on the instrument.

0 of 0 people found the following review helpful.
Like your own study notes
By Brucec
Short. To the point. Even though I'm familiar with most of the tips I still got some new tips and good reminders from this. It felt like it was over too soon - great pre-performance or pre-practice review . Left me wanting more - in fact my only gripe is that there could be more.

0 of 0 people found the following review helpful.
Good list of tips
By Mindfulness based stress reduction work book
Excellent list of piano practice tips. I know it is not meant to be lengthy but I enjoyed it so much I felt there could have been more covered.

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Mittwoch, 29. Juli 2015

@ Download Ebook Eileen Gray: Her Work and Her World, by Jennifer Goff

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Eileen Gray - the renowned and highly influential architect, furniture-maker, interior designer, and photographer - was born in Ireland and remained, throughout her life, an Irishwoman at heart. An elusive figure, Gray's interior world has never before been observed as closely as in this ground-breaking study of her work, philosophy, and inner circle of fellow artists. The book expertly blends art history and biography to create a stunning ensemble, offering a clear beacon of light into truly understanding Eileen Gray - the woman and the professional. Gray was a self-taught polymath and her work was multi-functional, user-friendly, and ready for mass production, yet succinctly unique. As one of the most influential designers of the 20th century, her designs reveal great technical virtuosity. Her expertise in lacquer work and carpet design, often overlooked, are given due attention here, as is her fascinating relationship with the architect Le Corbusier and many other compelling and complex relationships. The book also offers rare insights into Gray's early years as an artist. The primary source material for this book is drawn from the Eileen Gray collection at the National Museum of Ireland and its wealth of documentation, correspondence, personal archives, photographs, and oral history. The book is an essential tie-in with the soon-to-be-released motion picture 'The Price of Desire' by Mary McGuckian, as well as the documentary film 'Gray Matters' by Marco Orsini. *** "'Eileen Gray' is an entertaining and revealing book that should at long last paint the brilliant designer out of the margins and into the limelight where she so clearly belongs." -- Architectural Digest, January 2015 *** "This stirring biography of Eileen Gray recounts the days of her life and her creative genius that were largely overlooked by the art and architecture world for a half century. Illustrations and images tell her story as an artist, architect, and interior designer, and a photographer. The author provides a rich collage of Gray's personal relationships with Le Corbusier, Jean Badovici, and Stephen Haweiss, giving insight into influences on her work. This is an enlightening portrait of her life and the emergence of modernism... Highly recommended." - Choice, July 2015, Vol. 52, No. 11 [Subject: Art History, Architecture, Design, Biography, Irish Studies, Women's Studies]

Sales Rank: #1743281 in Books
Published on: 2015-01-01
Original language: English
Number of items: 1
Dimensions: 8.90" h x 1.24" w x 7.38" l, 2.14 pounds
Binding: Paperback
512 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
Why Gray matters
By Andrew S. Rogers
As I write this review, the premiere of "The Price of Desire," a feature film starring my favorite actress, the magnificent Orla Brady, as the Irish architect and designer Eileen Gray is just hours away. The film is the latest project to debut as part of the loose "Eileen Gray Project" (#EileenGrayProject in social media). Other projects gathered under this umbrella have included the documentary film "Gray Matters," and -- perhaps most significant, in terms of the scope and total work involved -- this highly impressive book by Jennifer Goff.

Dr. Goff is curator of furniture, silver, music, scientific instruments, and (most relevantly) the Eileen Gray collection at the National Museum of Ireland. Arguably no one is better positioned, therefore, to finally rescue Eileen Gray from the obscurity into which she fell during her own lifetime, and to put her in her proper place and context as a trailblazer in art, architecture, and design in the twentieth century. The NMI is the repository of Gray's surviving papers and library, and Goff made exhaustive use of them to show the influences and inspirations Gray drew on across her long career. The early sections of this book are divided up by media: painting, sculpture, and photography; lacquer; furniture; and finally architecture. This topical approach made the chronology a bit hard to follow sometimes, but you can only admire the breadth, not only of Gray's work, but also of Goff's.

Goff's writing is well-sourced and informative, if sometimes a bit leaden. It occasionally falls into a rhythm of simple, declarative sentences. One sentence states a fact. The next sentence states a second fact. At times it felt like riding on a train, with a steady thump-thump-thump of unvarying style. There are also sometimes odd effects like this: "Gray says to Haweis in one letter that he tells her nothing personal about himself: `You tell me nothing about yourself'" (p. 327). Still, it's worth putting up with in exchange for all the information you glean.

Where the writing becomes more spirited is in describing the conflict between Gray and Le Corbusier over E.1027, the house Gray designed and built in the south of France (this conflict is the centerpiece of "The Price of Desire," too). A large part of the reason Gray disappeared from history was the deliberate effort by Corbu and others to deny her credit for E.1027. Goff clears away the mud and proves -- in a way I hope settles this for good -- that E.1027 was Gray's work in design and execution. Goff shows the fight was not only a battle of artistic egos, with more than a little vindictive misogyny thrown in, but also of philosophy. In a brilliant reply to Corbu's dictum that "a house is a machine for living in," Gray wrote (in a passage Goff likes enough to quote three times, by my count), "A house is not a machine to live in. It is the shell of man, his extension, his release, his spiritual emanation. Not only its visual harmony but its entire organization -- all the terms of the work -- combine to render it human in the most profound sense" (p. 347).

Despite this, and although Gray's interaction with many of her art and design contemporaries as well as friends and family members is well documented, the one area I kept feeling like this book was coming up short was in giving us a really good look at Eileen Gray as a person. This is I'm sure due in part to Gray's own "withdrawn, reserved" (p. 79) nature and her desire to "control not only her environment but also the people around her" (p. 429), including her destruction of many of her personal papers and early works. Yet it must also have been a conscious decision by the author, possibly (I speculate) because the drama of Eileen Gray's life has been told and retold so many other places. News stories surrounding the release of this book have mentioned that it was distilled from a PhD thesis almost five times as long. I can't help but wonder how much more fascinating information was in the 400,000 or so words that had to be pared to prepare this book for publication.

In the Irish Times, "Price of Desire" director Mary McGuckian says "Eileen Gray: Her Work & Her World" is "as much a must-have addition to any coffee-table collection as a definitive biography." Excellent and important as this book is, however -- and with the greatest respect for Ms McGuckian and her films -- the above is why I can't entirely agree. "Her Work" may never be better contextualized, and "Her World" is far better situated now, thanks to Jennifer Goff's groundbreaking and essential efforts. But the unadorned "Her" could have used just a bit more focused attention, I think, to make this a truly definitive personal biography.

Nevertheless, this is without question a five-star title. My hat is off to Jennifer Goff as a researcher, curator, and presenter, not only of art, but of information.

1 of 2 people found the following review helpful.
Five Stars
By Eric Gering
Excellent work...

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Samstag, 25. Juli 2015

? Download Carpenters: All The Top 40 Hits, by Craig Halstead

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Richard and Karen Carpenter, as the Carpenters, are one of the best-selling music acts of all-time. Richard and Karen made their breakthrough in 1969 when, on 22nd April, they signed to A&M Records. They agreed they would be known as ‘Carpenters’, as opposed to ‘The Carpenters’. Richard composed ten of the 13 songs on the duo’s debut album, OFFERING, but their debut single was a ballad version of the Beatles’ Ticket To Ride, which was a minor hit on the Hot 100 in the USA. It wasn’t until they released their second album, CLOSE TO YOU, that Richard and Karen’s career really took off. The lead single from the album, (They Long To Be) Close To You, went all the way to no.1 in the USA, and broke the duo internationally. The follow-up, We’ve Only Just Begun, hit no.2 in the USA. For the purposes of this book, to qualify as a Top 40 hit, a single or album must have entered the Top 40 singles/albums chart in at least one of eighteen featured countries: Australia, Austria, Belgium, Canada, Denmark, Finland, France, Germany, Ireland (singles only), Japan, the Netherlands, New Zealand, Norway, Spain, Sweden, Switzerland, the United Kingdom and the United States of America. For both singles and albums, the main listing is followed by ‘The Almost Top 40 Singles/Albums’, which gives an honorable mention to Carpenters singles/albums that peaked between no.41 and no.50 in one or more countries. There is also a points-based list of the Top 20 Carpenters Singles and Albums, plus a fascinating ‘Trivia’ section at the end of each section which looks at the most successful Carpenters singles and albums in each of the featured countries.

Sales Rank: #1379856 in Books
Published on: 2015-01-03
Original language: English
Dimensions: 9.69" h x .38" w x 7.44" l,
Binding: Paperback
168 pages

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4 of 5 people found the following review helpful.
Decent book but I have found it is not 100% ...
By Musiclover
Decent book but I have found it is not 100% accurate in the chart positions listed. Some unofficial charts were used for chart information in this book.

8 of 11 people found the following review helpful.
Buyer Beware
By Doug
Nothing new and not in color. Very disappointing.

0 of 0 people found the following review helpful.
Karen Was My Last "Star Crush"
By R. L. MILLER
Her voice had this warm intimacy one would expect of a girl who sang love songs. Even though most of their earlier material was Burt Bacharach ("Close To You") and the later stuff Paul Williams ("I Won't Last a Day Without You"). Actual in-house stuff like Richard's "Top Of the World" was all too rare. My ex used to diss Karen all the time--she preferred the druggie decadence of Janis Joplin or the slattern approach of rock's blowzy Martha Raye clone Bette Midler.

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! Ebook Free Anatole Litvak: The Life and Films, by Michelangelo Capua

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During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like réalisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films--along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956)--are considered classics, but his pictures don't offer many clues about Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work. This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as "an adept, adaptable and prolific man; the kind of director that Hollywood likes best."

Sales Rank: #1742288 in Books
Published on: 2015-01-30
Original language: English
Number of items: 1
Dimensions: 8.80" h x .42" w x 6.99" l, .0 pounds
Binding: Paperback
220 pages

About the Author
Michelangelo Capua is the author of several McFarland biographies of Hollywood film stars. He lives in London.

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1 of 1 people found the following review helpful.
The sophisticated director of movies like Anastacia and Mayerling
By LolaDarling
This book offers an interesting and comprehensive insight into the life and career of Anatole Litvak, the sophisticated director of movies like Anastacia and Mayerling.

Although Litvak was one of the leading directors during the Golden Age of Hollywood, his works have been unfairly overlooked by modern critics. Very little is know about Litvak's life and no other books has been dedicated to his work yet, so I appreciated the effort of the author to write such a documented and complete volume.

Capua depicts Litvak as a charming and cosmopolitan director, whose ability to speak five languages allowed him to adapt himself to several different movie genres. The author does an exhaustive job of chronicling every phase of a career in which Litvak ranged from melodrama to war documentary.

What emerges from the page of this biography is the portrait of a versatile director, a perfectionist, sometimes demanding with his actors, and who fascinated many women with his cosmopolitan and charming personality. An interesting read for lovers of Classic Cinema.

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Freitag, 24. Juli 2015

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Le monde est ma représentation. — Cette proposition est une vérité pour tout être vivant et pensant, bien que, chez l’homme seul, elle arrive à se transformer en connaissance abstraite et réfléchie.
Dès qu’il est capable de l’amener à cet état, on peut dire que l’esprit philosophique est né en lui. Il possède alors l’entière certitude de ne connaître ni un soleil ni une terre, mais seulement un œil qui
voit ce soleil, une main qui touche cette terre ; il sait, en un mot, que le monde dont il est entouré n’existe que comme représentation, dans son rapport avec un être percevant, qui est l’homme lui-même.
S’il est une vérité qu’on puisse affirmer a priori, c’est bien celle-là ; car elle exprime le mode de toute expérience possible et imaginable, concept de beaucoup plus général que ceux même de temps, d’espace
et de causalité qui l’impliquent. Chacun de ces concepts, en effet, dans lesquels nous avons reconnu des formes diverses du principe de raison, n’est applicable qu’à un ordre déterminé de représentations ;
la distinction du sujet et de l’objet, au contraire, est le mode commun à toutes, le seul sous lequel on puisse concevoir une représentation quelconque, abstraite ou intuitive, rationnelle ou empirique. Aucune
vérité n’est donc plus certaine, plus absolue, plus évidente que celle-ci : tout ce qui existe existe pour la pensée, c’est-à-dire, l’univers entier n’est objet qu’à l’égard d’un sujet, perception que par
rapport à un esprit percevant, en un mot, il est pure représentation. Cette loi s’applique naturellement à tout le présent, à tout le passé et à tout l’avenir, à ce qui est loin comme à ce qui est près de nous ;
car elle est vraie du temps et de l’espace eux-mêmes, grâce auxquels les représentations particulières se distinguent les unes des autres. Tout ce que le monde renferme ou peut renfermer est dans cette dépendance
nécessaire vis-à-vis du sujet et n’existe que pour le sujet. Le monde est donc représentation.

Sales Rank: #2985330 in eBooks
Published on: 2015-01-24
Released on: 2015-01-24
Format: Kindle eBook

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Freitag, 17. Juli 2015

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Sales Rank: #1782347 in Books
Published on: 2015-01-14
Released on: 2015-01-14
Original language: English
Number of items: 1
Dimensions: 8.38" h x .63" w x 5.25" l, .77 pounds
Binding: Hardcover
144 pages

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Included in Library Journal’s "25 Key Indie Fiction Titles, Fall 2014-Winter 2015"

Within the writer's life, words and things acquire power. For Borges it is the tiger and the color red, for Cortázar a pair of amorous lions, and for an early Egyptian scribe the monarch butterfly that metamorphosed into the Key of Life. Ducornet names these powers The Deep Zoo. Her essays take us from the glorious bestiary of Aloys Zötl to Abu Ghraib, from the tree of life to Sade's Silling Castle, from The Epic of Gilgamesh to virtual reality. Says Ducornet, "To write with the irresistible ink of tigers and the uncaging of our own Deep Zoo, we need to be attentive and fearless—above all very curious—and all at the same time."

"Ducornet’s skill at drawing unexpected connections, and her ability to move between outrage and meditativeness, are gripping to behold."—Star Tribune

"This collection of essays meditates on art, mysticism, and more; it’ll leave a reader with plenty to ponder."—Vol. 1 Brooklyn

"Rikki Ducornet's new collection The Deep Zoo is filled with smart and surprising essays that explore our connections to the world through art."—Largehearted Boy

““The Deep Zoo” acts as a kind of foundational text, a lens to view her work and the other essays through. . . Subversive at heart and acutely perceptive.”—Numero Cinq

"Ducornet moves between these facets of human experience with otherworldly grace, creating surprising parallels and associations. . . The Deep Zoo is a testament to her acrobatic intelligence and unflinching curiosity. Ducornet not only trusts the subconscious, she celebrates and interrogates it."—The Heavy Feather

“What struck me most about this collection, and what I am confident will pull me back to it again, is Ducornet’s obvious passion for life. She is . . . attentive, fearless, and curious. And for a hundred pages we get to see how it feels to exist like that, what it’s like to think critically and still be open to the world.”—Cleaver Magazine

“Rikki Ducornet is imagination’s emissary to this mundane world.”—Stephen Sparks, Green Apple Books on the Park

"This book is like the secret at the heart of the world; I've put other books aside."—Anne Germanacos, author of Tribute

Praise for Rikki Ducornet

"A novelist whose vocabulary sweats with a kind of lyrical heat."—The New York Times

"Linguistically explosive . . . one of the most interesting American writers around."—The Nation

"Ducornet—surrealist, absurdist, pure anarchist at times—is one of our most accomplished writers, adept at seizing on the perfect details and writing with emotion and cool detachment simultaneously."—Jeff Vandermeer

"A unique combination of the practical and fabulous, a woman equally alive to the possibilities of joy and the necessity of political responsibility, a creature—à la Shakespeare's Cleopatra—of 'infinite variety,' Ducornet is a writer of extraordinary power, in whose books 'rigor and imagination' (her watchwords) perform with the grace and daring of high-wire acrobats."—Laura Mullen, BOMB Magazine

"The perversity, decadence, and even the depravity that Ducornet renders here feel explosively fresh because their sources are thought and emotion, not the body, and finally there's some pathos too."— The Boston Globe

"Ducornet's skill at drawing unexpected connections, and her ability to move between outrage and meditativeness, are gripping to behold."—Tobias Carroll, Star Tribune

"This collection of essays meditates on art, mysticism, and more; it'll leave a reader with plenty to ponder."— Vol. 1 Brooklyn

"Rikki Ducornet's new collection The Deep Zoo is filled with smart and surprising essays that explore our connections to the world through art."— Largehearted Boy

Sales Rank: #820715 in Books
Brand: Ducornet, Rikki
Published on: 2015-01-06
Original language: English
Number of items: 1
Dimensions: 8.25" h x 5.50" w x .25" l, .0 pounds
Binding: Paperback
165 pages

Review
"Within the writer's life, words and things acquire power. For Borges it is the tiger and the color red, for Cortázar a pair of amorous lions, and for an early Egyptian scribe the monarch butterly that metamorphosed into the Key of Life. Ducortnet names these power The Deep Zoo."—Entropy

"Ducornet moves between these facets of human experience with otherworldly grace, creating surprising parallels and associations. . . The Deep Zoo is a testament to her acrobatic intelligence and unflinching curiosity. Ducornet not only trusts the subconscious, she celebrates and interrogates it."—The Heavy Feather

"I'm facing the self-imposed task of making sense of Rikki Ducornet. . . and yet there is a part of me, selfish and lazy and honorable, that wants nothing more than to keep the books to myself (not for myself: I want everyone to read them), and to refuse to engage with the work anywhere but in reverie."—Tiny Letter

"A very intelligent and engaging collection of essays."—Dr. TJ Eckleburg Review

"Language, in Rikki Ducornet's hands, is a living and revivifying thing. These essays--lyrical, magical and occassionally scabrous--are a perfect introduction to the work of one of the singular figures of American letters."—Green Apple Books on the Park

"Rikki Ducornet is imagination's emissary to this mundane world."—Stephen Sparks, Green Apple Books on the Park

"[Deep Zoo] is like the secret at the heart of the world; other books can be put aside."—Anne Germanacos, author of Tribute

"The veteran Port Townsend author explores love, violence, dreams, fairy tales and other things in her collection of essays."—Seattle Times

"Like my favorite museums, THE DEEP ZOO is brimful with anomaly, informed by what Ducornet calls the “mysteries of matter.” The clauses revel in their obscurity, the sentences dazzle as “potencies… fall into sympathy with one another,” and the essays cohere with their matrices of association."—Brazos Bookstore

"[Ducornet is] attuned to the pleasures of both language and thought. . . We may not have the white phosphorus of her poetry (really, who can write like she does?), but we'll have her example. Let us take our own obsessions and follow them to their ends."—Your Impossible Voice

"The Deep Zoo defies one's expectations of what essays are, bringing a rich, vibrant sound and inspirational tone, which illuminates the role of the artist in the 21st century." —Nomadic Press

“The Deep Zoo is not didactic, but wise; not zealous, but possessed with great clarity of thought. It is simply a seed, willing to be planted on fertile ground and blossom as it is tended?—?and like the seed, it is mutable, shaped by its resonances with its reader’s own sympathies or secret impulses.”—Weird Fiction Review

“Ducornet reminds us that our position in the universe reflects our imagining of it and that as a consequence, we should be wary of those who attempt to cordon this spark. This is a valuable, possibly even necessary, lesson made more powerful by the beauty and terror of The Deep Zoo.”—The Improbable

About the Author
The author of eight novels as well as collections of short stories, essays, and poems, Rikki Ducornet has been a finalist for the National Book Critics Circle Award, honored twice by the Lannan Foundation, and the recipient of an Academy Award in Literature. Widely published abroad, Ducornet is also a painter who exhibits internationally. She lives in Port Townsend, Washington.

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0 of 1 people found the following review helpful.
Beautiful style of wriring
By Bell667
Beautiful style of wriring, intelligent ideas, yet I lost interest as the book simply meandered aimlessly with no apparent structure-

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Mittwoch, 8. Juli 2015

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Aprenda a escribir la música. En este método se resumen los conceptos básicos que todo músico debe dominar. Conozca el pentagrama y cómo escribir en él. Aprenderá acerca de Figuras musicales, compases, claves, armaduras, tonalidades mayores y menores, signos de puntuación.

Sales Rank: #804407 in eBooks
Published on: 2015-01-08
Released on: 2015-01-08
Format: Kindle eBook

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Integrating cutting-edge technologies with explanations of traditional equipment and practices, MODERN RADIO AND AUDIO PRODUCTION, 10e, offers current, comprehensive coverage of radio production and programming. A clear writing style, excellent descriptions and explanations, and attention to detail make this book easy to read and understand. An all-new chapter on writing walks you step by step through the entire process, while a new chapter on ethics helps you think through possible ethical dilemmas before you encounter them in the workplace. In addition, an all-new chapter on mobile radio explores the next frontier.

Sales Rank: #221703 in Books
Brand: Hausman, Carl/ Messere, Frank/ Benoit, Philip/ O'donnell, Lewis
Published on: 2015-01-05
Original language: English
Number of items: 1
Dimensions: 9.10" h x .70" w x 7.30" l, .0 pounds
Binding: Paperback
464 pages

Review
"It is a highly effective textbook and each edition improves on the last."

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About the Author
Carl Hausman is Professor of Journalism at Rowan University in Glassboro, N.J. He holds a Ph.D. from the Union Graduate School and did his post-doctoral fellowship at New York University. He is the author of 20 books, including several texts on broadcasting and journalism. His works also include investigative and explanatory books, articles, and columns, and he has appeared on a variety of talk shows including the O'Reilly Factor, ABC's World News Now with Anderson Cooper, CBS Radio's Capitol Voices, and CNN's Outlook. A former talk show host and anchor, Hausman has done voice-over work for a variety of corporate and institutional clients. His academic specialty is media ethics, and he has written two books on the subject and testified before Congress on ethics issues. Hausman served several terms as broadcast judging chair of the National Headliner Awards, one of the nation's oldest and largest programs recognizing journalism excellence.

Fritz Messere is founding dean of the School of Communication, Media and the Arts at the State University of New York at Oswego. A member of Oswego's communication studies faculty since 1977, he is a former coordinator of its broadcasting and mass communication program and two-time department chair. Messere received both his bachelor's and master's degrees from Oswego and did post-graduate work at Cornell University. He is the co-author of five textbooks on electronic media and communication, including BROADCASTING, CABLE, THE INTERNET AND BEYOND. A nationally recognized expert on broadcasting regulation and telecommunications, Messere has served as external assistant to FCC Commissioner Mimi Wayforth Dawson, as senior fellow of the Annenberg Washington Program in Communication Policy, and on the Rural Policy Research Institute's National Experts Panel on Telecommunications.

Philip Benoit is an adjunct professor of English at Pennsylvania's Millersville University. He previously served as director of public affairs at Middlebury College in Vermont and associate vice president for communications at Franklin & Marshall College in Lancaster, Pa. With a broad background in radio, television, and public relations, Benoit was the first director of the broadcasting academic program at SUNY Oswego. He also served as executive officer of the American Forces Network in Europe and American advisor to the Vietnamese Armed Forces Radio Network.

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0 of 0 people found the following review helpful.
A must-read for all broadcasters
By Arnold Kelly
Excellent reading for all aspiring broadcasters and everyone in radio; whether in management, on air, or technical. A winner for me.

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The origin of the name Terlingua is obscure and lost in time. For the past century and a half, the area covered by the name has expanded to include numerous concentrations of people engaged to varying degrees in ranching, farming, and mining, or the support thereof. Farmers and ranchers produced agricultural products, woodcutters supplied timbers for the mines or fuel for the furnaces, and storekeepers supplied the goods needed for sustenance of this diverse community that was spread over much of south Brewster County in West Texas. Hispanic people who began settling the region in the 18th century were the backbone of the mining industry. Many of the families here today are descendants of the mine workers and continue contributing to the community. This story tells of the establishment and abandonment of Terlingua following the rise and decline in demand for mercury and how the ghost town was resurrected in the 20th century.

Sales Rank: #1703611 in Books
Published on: 2015-01-19
Released on: 2015-01-19
Original language: English
Number of items: 1
Dimensions: 9.25" h x .31" w x 6.50" l, .0 pounds
Binding: Paperback
128 pages

About the Author
Thomas C. Alex and the late Robert E. Wirt have done extensive historical research on the Big Bend region of West Texas, and their focus on the local culture and family histories is reflected in this work. Many photographs are cherished family snapshots that have never been published before.

Most helpful customer reviews

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Covers what was and is Terlingua!
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Reading about history made enjoyable!
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Sales Rank: #2811877 in Books
Brand: West, Bella
Published on: 2015-01-01
Original language: English
Number of items: 1
Dimensions: .30" h x 7.30" w x 9.60" l, .0 pounds
Binding: Paperback
128 pages

About the Author
Bella West has been at the forefront of social photography for 20 years and is a fellow of the British Institute of Professional Photography. Her use of location, light, style, and timeless, yet current, nostalgia provide a definitive and unique quality to her work.

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