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Anatole Litvak: The Life and Films, by Michelangelo Capua
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During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like réalisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films--along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956)--are considered classics, but his pictures don't offer many clues about Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work. This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as "an adept, adaptable and prolific man; the kind of director that Hollywood likes best."
- Sales Rank: #1742288 in Books
- Published on: 2015-01-30
- Original language: English
- Number of items: 1
- Dimensions: 8.80" h x .42" w x 6.99" l, .0 pounds
- Binding: Paperback
- 220 pages
About the Author
Michelangelo Capua is the author of several McFarland biographies of Hollywood film stars. He lives in London.
Most helpful customer reviews
1 of 1 people found the following review helpful.
The sophisticated director of movies like Anastacia and Mayerling
By LolaDarling
This book offers an interesting and comprehensive insight into the life and career of Anatole Litvak, the sophisticated director of movies like Anastacia and Mayerling.
Although Litvak was one of the leading directors during the Golden Age of Hollywood, his works have been unfairly overlooked by modern critics. Very little is know about Litvak's life and no other books has been dedicated to his work yet, so I appreciated the effort of the author to write such a documented and complete volume.
Capua depicts Litvak as a charming and cosmopolitan director, whose ability to speak five languages allowed him to adapt himself to several different movie genres. The author does an exhaustive job of chronicling every phase of a career in which Litvak ranged from melodrama to war documentary.
What emerges from the page of this biography is the portrait of a versatile director, a perfectionist, sometimes demanding with his actors, and who fascinated many women with his cosmopolitan and charming personality. An interesting read for lovers of Classic Cinema.
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