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With Passionate Voice: Re-Creative Singing in Sixteenth-Century England and Italy, by Robert Toft
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Musicians in the 16th century had a vastly different understanding of the structure and performance of music than today's performers. In order to transform inexpressively notated music into passionate declamation, Renaissance singers treated scores freely, and it was expected that each would personalize the music through various modifications, which included ornamentation. Their role was one of musical re-creation rather than of simple interpretation--the score represented a blueprint, not a master plan, upon which they as performer built the music. As is now commonly recognized, this flexible approach to scores changed over the centuries; the notation on the page itself became an ostensible musical Urtext and performers began following it much more closely, their sole purpose being to reproduce what was thought to be the composer's intentions. Yet in recent years, scholars and performers are once again freeing themselves from the written page--but the tools for doing so have long been out of reach.
With Passionate Voice gives these tools to modern singers of Renaissance music, enabling them to learn and master the art of "re-creative singing." Providing a much-needed historically-informed perspective, author Robert Toft discusses the music of composers ranging from Marchetto Cara to John Dowland in the context of late Renaissance rhetoric, modal theory (and its antecedents in language), and performance traditions. Focusing on period practice in England and Italy, the two countries which produced the music of greatest interest to today's performers, Toft reconstructs the style of sung delivery through contemporary treatises on music, rhetoric and oratory. Toft remains faithful to the ways these principles were explained in the period, and thus breathes new life into this vital art form. With Passionate Voice is sure to be essential for vocalists, teachers and coaches of early music repertoire.
- Sales Rank: #1710642 in Books
- Published on: 2015-01-02
- Released on: 2015-01-02
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x 1.00" w x 10.00" l, 1.30 pounds
- Binding: Paperback
- 344 pages
Review
"With Passionate Voice distills the knowledge and sensitivity of an exemplary teacher...Toft's conclusions are detailed, intuitive, beautiful, and thoroughly supported by evidence...An inspiring treasure for performers and scholars, this is a stunning book."--N. L. Gilbert, The Webb Schools
About the Author
Robert Toft has pursued a career as a vocal coach, accompanist, and researcher. He has published five books on the performance practices of singing between the 16th and 19th centuries and has given master classes, workshops, and lectures on historically-informed performance in Australia, Britain, Canada, Ireland, Switzerland, and the USA. He is Professor of Music at Western University in London, Canada.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Opening the inner sanctums of 'classical' music, releasing performers from taboos formerly untouchable
By R. Chevalier
Robert Toft's newest book is outstanding. His earlier book Bel Canto opens a vista of options to the performer in aspects of interpretation usually considered off limits. The accepted faithful rendition of the score in all its infinite details and peculiarities is shown to be too limiting on creativity to be justified for 19th century performance practice. This book WITH PASSIONATE VOICE moves the playing field back to the 16th century. Again traditional taboos are dissected, such as, when to apply musica ficta, how to choose which notes to sing/play, when NOT to seek consistency across a score, when good performers were expected to 'correct' a composer's compositional errors. Especially valuable for the modern reader a bit hazy on 16th century concepts of music theory is his Appendix reviewing in plain English accepted assumptions about solmization, hexachords, tones and the like. These two books should revolutionize interpretation of 'the classics' in years to come.
0 of 0 people found the following review helpful.
Reasonable pedagogy for renaissance singing
By Amazon Customer
Lots of good info here about early singing. He sms to know more about English singing than other styles. He's done some serious research for some years. I don't always buy his conclusions, but one can draw their own and still appreciate shady he lays out before you.
0 of 1 people found the following review helpful.
If you sing this music, you need this book
By S L H
A must read for performers of music from this era. Love it!
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