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>> Fee Download A Strange Mixture: The Art and Politics of Painting Pueblo Indians (The Charles M. Russell Center Series on Art and Photography of the Amer

Fee Download A Strange Mixture: The Art and Politics of Painting Pueblo Indians (The Charles M. Russell Center Series on Art and Photography of the Amer

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A Strange Mixture: The Art and Politics of Painting Pueblo Indians (The Charles M. Russell Center Series on Art and Photography of the Amer

A Strange Mixture: The Art and Politics of Painting Pueblo Indians (The Charles M. Russell Center Series on Art and Photography of the Amer



A Strange Mixture: The Art and Politics of Painting Pueblo Indians (The Charles M. Russell Center Series on Art and Photography of the Amer

Fee Download A Strange Mixture: The Art and Politics of Painting Pueblo Indians (The Charles M. Russell Center Series on Art and Photography of the Amer

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A Strange Mixture: The Art and Politics of Painting Pueblo Indians (The Charles M. Russell Center Series on Art and Photography of the Amer


Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day.

Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations.

Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.

  • Sales Rank: #393893 in Books
  • Published on: 2015-01-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.30" h x 9.30" w x 11.20" l, .0 pounds
  • Binding: Hardcover
  • 280 pages

About the Author
Sascha T. Scott is Assistant Professor of American Art and a member of the Native American Studies faculty at Syracuse University.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Art about art and great value
By Samuel Gorovitz
This stunning book is richly informative and as a physical object it's a work of fine art on its own. I would not have been surprised to see it priced at two or even three times what it actually costs.

2 of 2 people found the following review helpful.
Five Stars
By jon p buschke
The University of Oklahoma press comes through with another great study in there series on western art.

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