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The advent of the airplane and skyscraper in 1920s and ‘30s America offered the population an entirely new way to look at the world: from above. The captivating image of an airplane flying over the rising metropolis led many Americans to believe a new civilization had dawned. In Impossible Heights, Adnan Morshed examines the aesthetics that emerged from this valorization of heights and their impact on the built environment.
The lofty vantage point from the sky ushered in a modernist impulse to cleanse crowded twentieth-century cities in anticipation of an ideal world of tomorrow. Inspired by great new heights, American architects became central to this endeavor and were regarded as heroic aviators. Combining close readings of a broad range of archival sources, Morshed offers new interpretations of works such as Hugh Ferriss’s Metropolis drawings, Buckminster Fuller’s Dymaxion houses, and Norman Bel Geddes’s Futurama exhibit at the 1939 New York World’s Fair. Transformed by the populist imagination into “master builders,” these designers helped produce a new form of visuality: the aesthetics of ascension.
By demonstrating how aerial movement and height intersect with popular “superman” discourses of the time, Morshed reveals the relationship between architecture, art, science, and interwar pop culture. Featuring a marvelous array of never before published illustrations, this richly textured study of utopian imaginings illustrates America’s propulsion into a new cultural consciousness.
- Sales Rank: #1460401 in Books
- Published on: 2015-01-15
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.00" w x 7.00" l, .0 pounds
- Binding: Paperback
- 296 pages
Review
“Impossible Heights is an original account of the American fascination with the skyscraper and the airplane and the enthusiasm for the new perspective on high from which people surveyed the city and landscape. Adnan Morshed examines the intersections between intellectual biography, visuality, and cultural history and brings together the ‘art of architecture’ with mass culture and spectatorship. In doing so, he illuminates ‘the aesthetics of ascension’ as a widely shared cultural phenomenon that characterized the interwar period.” —Gail Fenske, author of The Skyscraper and the City: The Woolworth Building and the Making of Modern New York
"A valuable contribution to the tradition of scholarship on aerial perspective and the history of visuality by focusing upon the interwar period and the American fascination with aviation and skyscrapers."—CHOICE
"Impossible Heights. . . offers a site of rich cultural exploration regarding the architectural history of flight."—Science Fiction Studies
About the Author
Adnan Morshed is associate professor of architecture and architectural history at the Catholic University of America.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Adnan Took Me To School...Again
By Jack
As a proud former student of Adnan Morshed, I can tell you that his approach to writing Impossible Heights is akin to his approach to pedagogy - engaging, insightful, thorough, and thought-provoking. He lucidly explains how human fascination with flight and height had dramatic (and arguably abysmal) implications on architecture and civic planning in the 20th century. This book is a must read for any aspiring architect or history buff. 5 stars!
0 of 0 people found the following review helpful.
It is also great that Morshed embedded his study of Ferriss in a ...
By Ron (Nashville, TN)
Morshed's new book is a scholarly triumph for a number of reasons. First, it is one of the first works to treat Hugh Ferriss--one of the most influential architectural thinkers and artists of the first half of the twentieth century--with the depth and complexity that he deserves. Countless scholarly works refer to Ferriss, but Morshed actually enables the reader to get to know Ferriss, to peer inside of his head and start to understand how his utopian dreams of a sublimely reformed modern metropolis took shape and exerted influence. It is also great that Morshed embedded his study of Ferriss in a larger discussion of utopian urban visions including those of Norman Bel Geddes and Buckminster Fuller. His comparison of these three figures reveals that, in this energetic but uncertain time in American history, having the knowledge and sensitivity of an architect was somehow less important than having the goggle-framed eyes and sky-high ambitions of an aviator or a "superman." The godlike aerial gaze made available by aircraft and skyscrapers thrilled designers and the public alike. Of course, designing buildings, neighborhoods, and cities "from the air," as one might lay out a circuit board, instead of with the view of the pedestrian (or even the motorist) foremost in mind has today become synonymous with the creation of un-intuitive, out-of-scale, and generally alienating places, but the ongoing prevalence of bird's eye programming in architecture schools and practices makes Morshed's book all the more important. How is it that we came to see placemaking as an aerial pursuit for heroic industrial engineers and technological wizards? Impossible Heights goes a long way to answering this question. May this excellent book inspire more equally strong and valuable scholarship, and encourage more critical discourse on ways we might improve our world. On this last point, perhaps we could start by encouraging architects and engineers to strap on parachutes and return to earth.
0 of 0 people found the following review helpful.
Morshed is also an excellent writer, erudite yet accessible
By Miriam Gusevich
THE CITY AS DRAMA.
We are here to celebrate Adnan Morshed’s new book:
Impossible Heights: Skyscrapers, Flight, and the Master Builder.
Morshed sets out on a very ambitious task, to trace how the new experience of flying inspired what he aptly named an “aesthetic of ascension”. According to Morshed, flying enabled a shift in perspective, seeing the city from above, from the bird’s eye view, instead of from below, the worm’s eye view, and in motion, instead of a fixed point. Flying induced the desire to reshape the industrial city and seduced architects, planners and the public into believing in the need for a brave new world, a new Utopia.
Morshed tells us a history of the modern city through this shift in perspective. This is a book full of insights and surprises. Morshed is also an excellent writer, erudite yet accessible. He engages us with the modern city as a drama. What kind of drama? I encourage you to read Impossible Heights and decide for yourself.
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