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How did a lifeless, concrete bunker in the inner city come to be a cornerstone of the underground music scene? How did a club stuck between nowhere foster an atmosphere of creativity and promote a vibrant music scene ready to explode? Simply: with dedication, drive and passion. The story of City Gardens is a multifaceted tale of community, history and, tradition. While one man, the inimitable Randy Now, is credited (and rightly so) with growing and cultivating the scene at the Gardens, it took a community of freaks, weirdoes, and misfits to truly make it a home. No Slam Dancing, No Stage Diving, No Spikes is the story of how that bunker became an oasis for wayward iconoclasts and cultural outcasts while witnessing some of the most compelling performances in music history. Told through the memories of bands, bouncers, stage management, bartenders, and fans—as well as the man who oversaw it all—No Slam Dancing is part history, part sociological study, and part legend. It is a document of times and events that occurred during the last great music age before technology changed everything. Over the course of hundreds of interviews, the authors pull together the narrative City Gardens during its nearly-20-year run. Whether they were the New Wave-crazed dancers who populated 90 Cent Dance Nights, or the punks and skins who caused mayhem during the hardcore shows, they were the ones who made every event a happening and every show something to behold. The individual memories merge to tell the story of a city, of a scene, and of the indomitable force of creativity.
- Sales Rank: #821378 in Books
- Published on: 2015-01-12
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .98" w x 6.00" l, .0 pounds
- Binding: Paperback
- 434 pages
Review
If you grew up in the big city, and involved yourself in underground music during the 80s and 90s, you might have taken a lot for granted. Bands want to gig in your town, and there are spots for them to play, so it s pretty easy to keep up on the new, hot stuff. However, if you grew up near the almost Philly/sort of Jersey armpit called Trenton, NJ, you may have relied on a fine gentleman named Randy Now Ellis who found himself an abandoned car dealership, and created a home-away-from-home for next-level punk, ska, hardcore, metal, hip hop, reggae and alternative music (when there still was such a thing) called City Gardens. Oh they had 90 cent dance nights, too. What authors Amy Yates Wuelfing and Steven DiLodovico bring forth in the thoroughly researched No Slam Dancing, No Stage Diving, No Spikes that makes this tome so very vibrant and interesting, is an understanding that a venue off the beaten path such as CG, lives almost exclusively off the passions of the community surrounding it. They accomplish this via the voices of nearly each and every person who made City Gardens tick, including many of the artists who took to its stage on numerous occasions over its years of operation, which includes onetime Trentonite Henry Rollins (Black Flag/Rollins Band), Ian MacKaye (Minor Threat/Fugazi), Peter Hook (Joy Division/New Order) and even former City Gardens drink-slinger, and current Daily Show host, Jon Stewart, among so many others. --Words by Howie Abrams at Mass Appeal
Now here is a book that I had been looking forward to for a long time since I first heard about the project a few years ago. Titled after the infamous sign inside the long-shuttered Trenton, NJ club City Gardens (the last show there was in 1994), this is nothing less than a superb oral history (as the title suggests) of the club from its early 80s beginnings to its end in the late 90s (dance nights continued there for a few years after they stopped doing shows). For those who don t know, Randy Now Ellis started promoting shows in a dilapidated warehouse/former car dealership in a depressed part of Trenton, NJ, giving bands who could play nowhere else a chance and booking many national headliners who regularly stopped there between gigs in New York, Philadelphia and Washington, DC. Though perhaps City Gardens was known mostly for punk and hardcore, it should be said that Randy booked bands in all kinds of genres, including ska, reggae, new wave, alternative, hip-hop, industrial and others, often times mixing up bills in ways other promoters wouldn't. Many former City Gardens regulars (including the authors themselves) are interviewed, as are members of some of the many different bands that played there over the years. Generally speaking, the book is broken up into sections spanning a few years at a time. However, special chapters are devoted to The Ramones (who played there 21 times, more than any other band except Ween, New Hope, PA locals from across the river who played the last show there and were known for getting booed off the stage by fans of headliners like Fugazi) as well as the 90 cent dance nights that were held every Thursday night. For me, the allure of this book was two-fold. First off, I would finally be able to read about the days I missed there, as I didn't start going to shows there until 1991. Thus, though I d heard a few of the stories from the 80s, it s nice to have many of them in one place and packed with such intricate detail. Then, of course, there was the thrill of reading about shows I attended there in 1992 and 1993, including amazing shows by Fugazi, Shudder to Think, Jawbox, Green Day (their first show in New York or New Jersey ever and the last show they played on the Kerplunk! tour before they signed to a major label) and an incredible, impromptu 1993 Descendents reunion I witnessed. There is also an extensive segment in that chapter about the most violent show I have ever witnessed, a 1993 show by FEAR in which Neo-Nazi skinheads fought with others in the audience and incited a riot. Thankfully, most of my memories of the place are happy and by the time I started going there, it seemed like most of the worst of the violence (with the exception of that FEAR show) was over with. However, if I have one very minor complaint, it was that reading about the endless amount of violence and stupidity that occurred there in the late 80s got kind of exhausting and discouraging after a while. It does, however, give the reader a proper context for why shows there eventually were stopped, as insurance costs, injuries from patrons stage diving and the resulting threats of litigation made it harder and harder for Randy to continue. All in all, this book is a terrific read and I had trouble putting it down, barreling through its 400 or so pages quite quickly. If you are a former City Gardens patron or a fan of the 80s and early 90s underground music scene, this book is for you. Even if you never attended a show there, if you like books like Our Band Could Be Your Life or other recent oral histories like the one about The Replacements or another about the early 80s Detroit hardcore scene (which was compiled by Tony Rettman, a City Gardens regular who is quoted extensively here. --Words by Matthew Berlyant at The Big Takeover
About the Author
Amy Yates Wuelfing was a City Gardens regular. Her mom used to call there looking for her. Steven DiLodovico was an annoying hardcore kid. Steve is a loud-mouthed young buck from Philly who knows everything about everything. He s the kid you wanted to pummel at every show.
Most helpful customer reviews
10 of 10 people found the following review helpful.
A MUST READ!!!
By Francis P Chismar
My reading consists of music books. I can't get enough of them. Especially oral histories about the punk and new wave era. I've read Punk Rock: an Oral History by John Robb about the start of the British Punk scene through Post Punk and Goth. I've read We've Got The Neutron Bomb about the LA Punk scene and also Please Kill Me about the start of the NY Punk Scene. I love these books. They are first hand accounts of scenes I loved even thought I was not a part of them.
I was not a part of those scenes.
That phrase is the key. A scene that I was a part of was City Gardens. City Gardens was the Mecca for misfit youths in the bad part of a bad city. The club was the homing beacon for any punk, new wave, indie, ska, and numerous other genre's that played the underground circuit traveling between Philadelphia and New York. It made Trenton a destination, regardless of how dangerous it was to travel there, because once you were inside its doors you were home. Punker, Skinhead, Goth, New Waver, it did not matter. You were accepted.
The club, whose shows were booked by promoter Randy Now, created a scene in an area that had not existed. In an era before smart phones and the internet you needed to have personal contact to make that musical discovery. Sometimes you got to finally see a band you had only heard about her saw a band that you had never heard of. In the meantime you make friends, became part of a brotherhood, or let it inspire you to create music yourself. Patrons and Employees included Jon Stewart of The Daily Show, James Murphy of LCD Soundsystem, Mickey Ween of Ween, and Ben Kenney of The Roots and Incubus.
The authors kept the DIY spirit alive by making this a book from successful Kickstarter campaign. They do a fantastic job of taking us through the history of City Gardens. The interviews are an amazing time capsule of musical knowledge. It points out the struggles of the bands who traveled relentlessly. There was no social media marketing. It was word of mouth, trial and error, fans and fanzines. They came to our house and they blew our minds. You can relive the the fights, the backstage shenanigans, the fires, the craziness, and most importantly, the shows themselves. Band like The Misfits, Green Day, Nirvana, Black Flag, The Ramones, R.E.M. The Replacements, and The Beastie Boys all graced the stage of this legendary venue.
At the time we all knew we were part of something special. This is a labor of love for Amy Yates Wuelfing & Steven DiLodovico who will financially probably never recoup the years of research and hard work that they put into the making of this chronicle. You can't put a dollar amount on memories. I don't think anyone that was a part of this scene had gotten into it for the money. It was for the love of it. And it shows in this book. It details not only the great bands that played this venue, but the great people that attended and the great local scene and the people that helped create it. The wonderful photography of Ken Salerno and the author's interviews help paint such an accurate picture of this era it's almost as if you are still there.
I am proud to say that the words of my friends are in this book. These were hard times. I miss these times. I miss City Gardens. It was a part of my youth that I loved. Fortunately, people like Randy Now still create a local buzz with stores like The Man Cave. I have made new friends there who love the sames things. We see shows together. We interact. We play songs for each other. It is everything that made me fall in love with music in the first place. May it never die.
9 of 9 people found the following review helpful.
May have a limited market
By E. RHOADS
This book is well written, and a treasure trove of anecdotes from the golden days of Punk and alternative rock as seen through artists and regulars from City Gardens, a now gone club in Trenton NJ which hosted the best of the best in it's day. For people like me who grew up seeing shows here it is a wonderful recollection, for some it may be lost.
8 of 8 people found the following review helpful.
Great book!
By Jen
Only half way through and loving it! City Gardens was one of the only good things about growing up in Trenton. This book definitely captures the feel of the place and how important it was to both the bands that played there and the people that went to see them. I don't think I have ever been to a club after that where there was such a diverse crowd and nobody cared about who/ what you were.
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