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Notes to Screenwriters: Advancing Your Story, Screenplay, and Career With Whatever Hollywood Throws at You, by Vicki Peterson, Barbara Nic
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Screen storytelling is an essentially collaborative process. Writers need feedback but too often the notes they receive stall them and even demoralize them. This book unpacks the whys and what-fors of all the most commonly given notes on scripts, stories, and writers themselves. Coming from the perspective of experienced Hollywood professionals, Notes to Screenwriters offers insightful and concise guidance on the entire storytelling process, as well as what comes before it in the life of the writer, and after it in the marketing of the screenplay. It is a unique blend of classical storytelling principles combined with practical knowledge of the contemporary marketplace. This book is destined to be a resource for every writer who gets past the initial stage of writing a first draft and needs sage counsel for what to do next.
- Sales Rank: #1020221 in Books
- Brand: Nicolosi, Barbara/ Peterson, Vicki
- Published on: 2015-01-01
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.25" w x .75" l, .0 pounds
- Binding: Paperback
- 256 pages
About the Author
Barbara Nicolosi is the Founder and Chair Emeritus of Act One, Inc. a non-profit mentoring program for screenwriters and producers in Hollywood. She is a member of the Writers Guild of America-West and has written screenplays for several Hollywood production companies. She has been a development executive, story consultant and script doctor for hundreds of projects as well as a grants panelist for the National Endowment for the Arts, and a reader for the prestigious Humanitas Prize for screenwriting. Barbara has been an adjunct professor of screenwriting at Pepperdine University and Azusa Pacific University.
Vicki Peterson is a screenwriter and founding partner of Catharsis (storycatharsis.com), which mentors writers and develops screen projects for various producers. Vicki’s most recent writing projects include television pilots, Mind Over Matter and Alum Rock Ave, which is with Herrick Entertainment. Her feature, Mother at War is with producer Ken Stewart. Her other projects include features, TV specs, and rewrites for production companies, and her scripts have been selected as finalists for several film festivals and fellowships. Vicki is formerly the director of both the Writing for Film and Television Program and Producing and Entertainment Executive Program at Act One, Inc. (actoneprogram.com), of which she is also an alumna. Before that, Vicki was a development executive at Origin Entertainment and Hero Pictures. Vicki got her start in theatre, working at the Tony award –winning La Jolla Playhouse on several pre-Broadway productions.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Great for professional writers, movie fans, and anyone interested in storytelling
By G in Ohio
As a professional writer and editor, I've read my share of "how to write" books and am now picky about what I buy because I've already read so many books that either did or did not help my career. This book is a great one, well worth the price whether you are beginning as a writer or looking for something to add to your skills or jump-start a project.
The book is useful for any sort of writer, not just for writers of screenplays. There's a lot of information about how to tell a story that any writer can benefit from. Plus, it's great for movie lovers and story lovers of all sorts, because it helps the reader see how a good story is told and what makes it good. I found it very helpful as a writer and very interesting as a movie viewer.
The conceit is that screenwriters get their screenplays back with "notes" but the notes don't always convey much. How do you interpret "I didn't relate to the characters," for instance? The authors have organized the chapters into addressing categories of such notes, and use that as their hook to explain how to tell a story, how to make a character interesting, what makes a story a story versus a list of things that happen, and so on. Chapters specific to screenwriting (the one and only format and typeface that are acceptable, and so on) are kept that way, so the reader can consult them for a job, check them out if curious, or skip them entirely.
11 of 11 people found the following review helpful.
An in-depth look at story
By John Burd
I'm not a fan of the usual "tips and tricks" format of screenwriting books-- too much stuff to try to juggle and remember as you're writing. Notes to Screenwriters is a more grounded, in-depth approach: what makes a story, what makes a story work, and what makes a story a screenplay. Highly recommended.
9 of 9 people found the following review helpful.
The Black-Belt of screenwriting Books!
By Sid Cantini
This is a holistic book in that it covers the whole spectrum of the screenwriter's journey, from the craft of storytelling and the psychology of note-givers to navigating the business of professional writing from beginning to end. There's even a short section on formatting.
Of particular note, the authors offer a philosophy of artful storytelling as a necessary element of a healthy society. This passion is delivered in great depth and organized in a very accessible way. The book would serve well as a guide through the writing of a screenplay. It would be equally useful as a classroom text in the hands of professors and students. Masterfully delivered.
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