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The Jew of Malta, by Christopher Marlowe
Free Ebook The Jew of Malta, by Christopher Marlowe
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Christopher Marlowe was an English playwright and poet of the Elizabethan era. Marlowe is thought to have been a great influence on William Shakespeare. This edition of Marlowe’s The Jew of Malta includes a table of contents.
- Published on: 2015-01-27
- Released on: 2015-01-27
- Format: Kindle eBook
Review
“The great strength of Mathew Martin’s edition is the ease of access it gives scholars and students to one of Marlowe’s strangest and most disturbing plays. He achieves this not simply by exemplary annotations, but by framing Marlowe’s text within an introduction and richly informative appendices that place the play securely in its contemporary social, cultural, and political contexts, enabling readers to negotiate complexities of tone and racial attitudes with subtle insight. The effect is precisely to highlight the daring originality of Marlowe’s dramatic artistry and his exacting control of both the arts of performance and his audience’s responses.” ― Richard Allen Cave, Emeritus Professor of Drama and Theatre Arts, Royal Holloway, University of London
“The Jew of Malta is one of early modern England’s most controversial plays on its most controversial topic―the collision of world religions. Martin’s terrific new edition brilliantly captures the gist of its cut-and-thrust. The introduction offers readers a sophisticated entrée into Anglo-Ottoman relations, European anti-Semitism, theatre history, and Machiavellianism. The edition is elegantly edited, with many resources for readers who want to understand one of Marlowe’s greatest plays in its historical milieu.” ― Alan Shepard, President of Concordia University
From the Back Cover
First performed by Shakespeare’s rivals in the 1590s, Christopher Marlowe’s The Jew of Malta was a trend-setting, innovative play whose black comedy and final tragic irony illuminate the darker regions of the Elizabethan cultural imagination. Although Jews were banished from England in 1291, the Jew in the form of Barabas, the play’s protagonist, returns on the stage to embody and to challenge the dramatic and cultural anti-Semitic stereotypes out of which he is constructed. The result is a theatrically sophisticated but deeply unsettling play whose rich cultural significance extends beyond the early modern period to the present day.
The introduction and historical documents in this edition provide a rich context for the world of the play’s composition and production, including materials on Jewishness and anti-Semitism, the political struggles over Malta, and Christopher Marlowe’s personal and political reputation.
About the Author
Christopher Marlowe (1564-93) was an English playwright and poet, who through his establishment of blank verse as a medium for drama did much to free the Elizabethan theatre from the constraints of the medieval and Tudor dramatic tradition. His first play "Tamburlaine the Great," was performed that same year, probably by the Admiral's Men with Edward Alleyn in the lead. With its swaggering power-hungry title character and gorgeous verse the play proved to be enormously popular; Marlowe quickly wrote a second part, which may have been produced later that year. Marlowe's most famous play, "The Tragical History of Doctor Faustus," based on the medieval German legend of the scholar who sold his soul to the devil, was probably written and produced by 1590, although it was not published until 1604. Historically the play is important for utilizing the soliloquy as an aid to character analysis and development. "The Jew of Malta" ("c. "1590) has another unscrupulous aspiring character at its centre in the Machiavellian Barabas. "Edward II" ("c. "1592), which may have influenced Shakespeare's Richard II, was highly innovatory in its treatment of a historical character and formed an important break with the more simplistic chronicle plays that had preceded it. Marlowe also wrote two lesser plays, "Dido, Queen of Carthage" (date unknown) and "The Massacre at Paris" (1593), based on contemporary events in France. Marlowe was killed in a London tavern in May 1593. Although Marlowe's writing career lasted for only six years, his four major plays make him easily the most important predecessor of Shakespeare.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Mediocre Marlowe, But Still...
By King Dimholt
I can't quite place this play of Marlowe's up there with "Dr. Faustus," "Edward II," "Dido Queen of Carthage," or "Massacre At Paris." But still, it is a good play.
We meet Barabas. We see that his financial resources are more important to him than his spiritual values. But he does have a daughter named Abigail who he loves. (We can guess that Barabas is a widower since Abigail's mother never appears.) Well, the governor of Malta (Ferneze) seizes Baraba's wealth to pay tribute to Calymath and the Turks. (And on top of that Barabas's house is to be turned into a convent.) And at this point, we can feel sympathy for Barabas.
But all is not lost. His daughter Abigail works her way into her father's house and is able to retrieve a nice amount of wealth for her father. Well, Ferneze learns that even paying tribute to the Turks may not be enough to keep Malta safe. Moving on, we might sympathize with Barabas when Lodowick (the son of Ferneze who seized Barabas's wealth) wants Abigail. And after some double talk, Barabas arranges for Lodowick to fight Matthias. This is where things start to shift. Abigail loves Mathias and is repulsed. (We also know that Mathias did nothing to Barabas.) Our sympathy for Barabas starts to diminish. The repulsed Abigail converts to Christianity and becomes a nun.
Barabas furthers his descent into evil when (with the help of the vile Ithamore) he poisons not only his daughter Abigail, but the entire group of nuns. As horrible as this was, Marlowe adds an on stage event to emphasize how evil Barabas has grown. He murders a Friar and frames another. (And at this point, if we had any sympathy for Barabas, it's gone now.)
Well, things start to turn. With some convincing, Ithamore decides he knows enough about Barabas to choke some money out of him. (Or he will tell.) Barabas is frightened, but should he be surprised? When you engage in foul games of this sort, how honorable can your accomplices be? Barabas manages to poison Ithamore and his 2 friends, but not before Ferneze learns of Barabas's crimes.
But Barabas has another card to play. He betrays Malta and allows Calymath and his forces in. Ferneze is taken prisoner and Barabas is made governor of the town. But Barabas realizes that he will not last long if he is the governor of an area that hates him. It would seem he is out of cards to play. But his ambition can not cease. He makes a deal with Ferneze to kill Calymath, but Ferneze flips the tables, and Barabas is finally defeated.
While better Marlowe certainly exists, this is still a good play. Barabas's technique of double talk was one that Shakespeare would eventually make use of. ("King Lear's" Edmund to name one) Also, like many other of Marlowe's protagonists, Barabas can not keep himself behind the line of 'this far, and no further.'
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